Designing how people enter, feel, connect, and remember.
设计人如何进入、感受、连接与记住。
We design experiences through narrative, movement, interaction, atmosphere, and memory.
我们通过叙事、行为、互动、氛围与记忆，
设计一场完整的体验。
We help brands, spaces, and projects build a narrative that can be entered — not merely observed. A world with its own logic, atmosphere, and emotional register. Something people step into, and carry with them when they leave.
帮助品牌、空间与项目建立可以被"进入"的叙事与气质——而不只是被"观看"的形象。一个有自己逻辑、氛围与情感层次的世界，让人真正踏入其中，并在离开后依然携带着它。
From first impression to final memory — we redesign every touchpoint along a user's experience. The moment of discovery, the first contact, the quality of response, the texture of participation. We find the fractures people cannot articulate, but quietly leave because of.
从浏览到咨询，从参与到离开——重新设计用户在每一个触点中的感受与流动。我们发现那些用户无法明确表达、却会默默离开的体验断层。
We design how people enter, pause, move, interact, and look within a space. Architecture is the starting condition — but the real material is behaviour. How a room makes someone want to stay. How a threshold changes the quality of attention.
设计人如何进入、停留、移动、互动与观看。空间不仅是视觉，更是行为与情绪的容器。真正的设计对象，是人在其中的感受与节奏。
We design the conditions for connection — between people, between bodies, between strangers who briefly share the same room. Social atmosphere, interactive rhythm, rituals of participation, and the shared memory that forms when a group experiences something together.
设计人与人之间连接的条件——社群氛围、互动节奏、仪式感、共同记忆。当一群人共同经历了某件事，那种集体感受本身，就是设计的产物。
What people truly remember is rarely the content. It is an emotion, a pause, a quality of light, a relationship, a moment of presence that cannot be fully explained. Atmosphere is not decoration — it is the medium through which memory is made.
真正被记住的，往往不是内容本身，而是某种情绪、停顿、光线、关系与现场感。氛围不是装饰——它是记忆得以形成的介质。
「内境森林」是从「触碰」延伸出的内在感知之旅——探讨人与环境的关系、个体与自我的对话，一次身心融合、精神与肉体连接的疗愈体验。
A multi-sensory art exhibition in Chengdu — where seven international artists created an environment asking visitors to leave the logic of productivity behind and return to a more elemental form of attention.
Organised by ASFAC (中法当代艺术协会) and DNβ International Digital Nomad Centre, the exhibition brought together artists from France, New Zealand, Greece, and China — each working across different sensory registers. The shared question was not conceptual but bodily: what does it mean to truly inhabit a space?
Bunnytopia Art Space in Wuhou District was chosen for its quality of enclosure — a series of intimate rooms that allowed the exhibition to unfold as a sequence of distinct atmospheres rather than a single hall. The space already had a forest feeling; the artists built inward from there.
展览由ASFAC与DNβ联合主办，邀请来自法国、新西兰、希腊与中国的七位国际艺术家，在成都武侯区Bunnytopia艺术空间共同呈现。从2024年起，ASFAC围绕「触碰」持续策划系列活动；「内境森林」是Touch系列的成都站，也是对感官唤醒与内在连接的一次深化探索。
The curatorial structure was built around spatial sequencing: Bunnytopia's rooms opened onto a planted courtyard, creating a natural rhythm of contraction and expansion. Some artists placed their work in the most intimate corners; others let it spill into transitional spaces. The effect was a porous boundary between art and atmosphere.
The opening ceremony on May 1st was structured as its own experience — artist introductions, performance art presentation, and open viewing arranged so that encounter preceded interpretation. The artists chose not to explain their work verbally. The space did the explaining.
Daily healing workshops in the late afternoons invited visitors to move from observation into participation — extending the experience from the visual into the somatic. Seven artists, four nationalities, one spatial logic.
策展结构围绕空间序列展开：房间朝向植物庭院开放，赋予展览一种收缩与扩展的节奏，氛围与艺术的边界因此变得可渗透。开幕式被设计为独立体验，空间的安排让相遇先于诠释。每日疗愈工坊，让观者从观看进入参与。七位艺术家，四种国籍，一种空间逻辑。
Beyond events and spaces — experience exists across every touchpoint.
Every person who encounters a cultural project moves through a sequence of moments — before arrival, at the threshold, during participation, in the aftermath. Each of these moments is a design decision, whether or not it has been treated as one.
For 内境森林, the experience did not begin when visitors entered the gallery. It began with the first image encountered, the quality of invitation, the texture of communication — and continued long after they left.
体验不只发生在线下空间里。
它存在于用户第一次浏览、第一次咨询、第一次进入、第一次停留、第一次被回应的每一个瞬间。这些瞬间是否被设计，决定了体验是否真正完整。
Selected documentation · 内境森林 · Chengdu, China · 2025
Seven artists. Five days. One space in Chengdu that briefly became somewhere else entirely.
内境森林 brought together an unusually diverse group of practices — abstract painting (Frédéric Léglise), large-scale figurative work (Roger Mortimer), photography-based installations (Sophy Qi), video art (Sun Sun), printmaking (Lyuyue Qiu), and healing-oriented performance (JoJo) — held in a single space without hierarchy.
The collaboration between ASFAC and DNβ connected Chengdu's creative community with its growing digital nomad population — two groups that rarely share the same room. The exhibition became a point of encounter between them, with art functioning less as spectacle and more as common ground.
What sustained the experience across five days was not marketing, but design — spatial, social, and programmatic decisions that made the space feel worth returning to. The long-term memory effect was not planned for; it was the result of getting the atmosphere right.
「内境森林」将七种极为不同的艺术实践汇聚于同一空间，没有等级，没有竞争。ASFAC与DNβ的合作将成都创意社群与数字游民群体连接在一起。让体验持续五天的，不是营销，而是设计——空间、社交与节目设计的综合决策，让这个空间值得一再回访。
If you are building a brand, space, community, or cultural experience that deserves to be remembered — we would love to shape it together.
如果你正在创建一个值得被记住的品牌、空间、社群或文化体验，
我们很愿意与你共同塑造它。